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Issue
No. 3 June 2001
The authoritative source
on
early churches in New Jersey
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Kingwood Methodist Episcopal church, Hunterdon County, c 1930
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Feature
of the month
Greek Revival: pagan temples for Christian worship
Greek
Revival is a name given to an immensely popular architectural style in
the four decades before the Civil War. Federal Hall in lower Manhattan
and the Customs House in Philadelphia are fine examples, but the style
can be seen in homes in upstate New York and throughout the south, as
well as in public buildings in every state. The characteristic fluted
columns, Doric or Ionic capitals, low-pitched roofs, corner pilasters,
and accentuated pediments were considered highly appropriate for public
buildings in the new republic, as they provided an allusion to the democratic
virtues of the ancient Greek city-states at a time when Byron's involvement
with the Greek's struggle for independence from the Ottoman Empire was
the topic of the day in newspapers and coffeehouses. Greek Revival was
widely adopted by scores of churches in New Jersey, of which something
more than 30 survive.
The earliest example I know of is the
Lamington Presbyterian church (1826) in Somerset County, although
the facade has been ruined by the later addition of the Gothic portico.
Saint James' Episcopal church
in Piscataway (1836) is a better example of a wooden church built in that
style. It is not a "pure" Greek Revival building, for it employs
Gothic windows and a funny little steeple. Among the most important churches
in
the Greek Revival mode are the Old First
[Baptist] Church in Middletown (1832; Middlesex County), the First
Presbyterian Church in Princeton (1837), designed
by architect Charles Steadman, the First
Presbyterian Church in
Trenton (1839), the Old Bergen Church
[originally Reformed, but now Presbyterian and Reformed] (1838) in Jersey
City, the Presbyterian Church
in Basking Ridge (1839) and the Presbyterian Church in Cranbury (1838).
An early black church, the Witherspoon
Street Presbyterian Church erected a Greek Revival building in 1837
in Princeton.
Lest it appear that only Presbyterian congregations
erected Greek Revival buildings, there are Methodist,
Baptist, Reformed, and Congregational churches as well. I believe more
than one 19th century synagogue built
a Greek Revival building, although none have survived, but I know of no
Catholic churches built in that style.
The
Second Great Awakening, generally dated to the second decade of the nineteenth
century, gave rise to numerous revivals and a growth in membership and
church building. With its emphasis on preaching instead of the sacraments,
the Greek Revival church was wider in proportion to its length than traditional
European churches, and so allowed more people close proximity to the pulpit.
Tall windows let in ample light, in contrast to the dim lighting of Catholic
churches, which emphasized the mystery of the ceremony and the sacraments.
Stained glass windows, once considered to popish or worldly by the earliest
settlers, replaced the clear glass by mid-century, a concession to fashion
made possible by rising affluence.
The shallow pitch to the roof was sometimes
capped by a tall steeple, such as we
see on the Cranbury and Pluckemin churches, but just as often there was
no steeple or a squat one as we find on the Old Bergen church, the First
Congregational church in Chester in Morris County and the Cokesbury
Methodist church in Hunterdon County .
Sometime before 1850, a set of plans, apparently
drafted in Philadelphia, were purchased by a number of churches in the
central part of the state, for a short tour of Somerset County will yield
a handful of churches (mostly Reformed) that are more-or-less identical
except for a few details and the size. Griggstown
(1843), South
Bound Brook (1846), Harlingen(1851),
Pluckemin (1851), Raritan(1851),
and
East Millstone
(1855) are a few of the survivors, but at least a dozen others in the
region were built, mostly with a year or two of 1851. None of the church
records I have examined mention the architect, but the churches are so
similar that I would be astonished if they were not built from the same
plans.
About 1845 the Episcopal church, which was
resurgent after its near disappearance following the Revolutionary War,
decried the use of a pagan building for Christian worship and recommended
the Gothic as a more appropriate style; other sects soon followed, and,
in most of the county, the Greek Revival was dead by 1850, as far as ecclesiastical
architecture was concerned, although elements of that style continued
to appear for decades, particularly
in the vernacular churches of rural Jersey. Note the pilasters and pediment
in the Kingwood Methodist church( see the vintage photo of the month),
built in 1860, which borrowed from the Greek Revival
Photos, from top: Saint
James', Piscataway; Old Bergen, Jersey City; Cranbury Presbyterian; First
Presbyterian, Trenton; Griggstown Reformed; First Presbyterian, Basking
Ridge; Third Reformed of Raritan; Witherspoon Street Presbyterian, Princeton.
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