The names
of most of the architects and master builders whose 18th and 19th century
work remains are lost to history; in many other cases, we have only
a name and little or no biographical data. I believe there is a great
deal more available than I have been able to find, and have posted this
section largely in the hope that readers will provide such information
as well as any corrections.
B
C D E F G H I J
K L M N
O P Q R S
T U V W X Y
Z Others
Ball,
Eleazer,
is credited with the construction of the Old First Church in Newark,
built in 1791. He is not listed anywhere as an architect, but master
masons and carpenters at the time were used to working from drawings
and plan books. Ball was probably familiar with the Old South Church
in Boston, and certainly with the basic idiom of the early Wren-Gibbs
style churches in this country.
Works:
Newark,
Old First Church
Cady,
Josiah Cleveland (b.1837-d.1919)
was a very prominent architect in the latter decades of the
nineteenth
century. He studied under Henry Hobson Richardson, and much
of Cady's work, clearly in the Romanesque Revival idiom, bears
a strong resemblance to that of Richardson. Cady designed at
least seven churches in New Jersey, but is best known for his
work at Yale, where he designed 15 buildings, and for several
prominent buildings in New York City, including the old Metropolitan
Opera House (now gone) and a major section of the American
Museum of Natural History.
Works:
Morristown,
First Presbyterian,
South Street Presbyterian Madison,
Webb Presbyterian Chapel Montclair,
Christian Union Congregation Alpine,
Closter Reformed Englewood,
First Presbyterian
Attributions: The
Presbyterian chapel (1882)
in Beattystown (Warren County) was almost certainly built from
Cady's
plans. There
is an identical church
in Mandarin, Florida (1884) credited to Cady, and a duplicate in
the Adirondacks.
Carpenter,
James (b.1867d.1932)
Works:
Caldwell,
First Presbyterian
Collin,
Nicholas,
was
a Swedish minister who delayed in London for a time to learn English
before coming to the Swedish Lutheran settlements in Gloucester. While
there, he studied the English church architecture closely, especially
the number of new churches erected under the direction of Christopher
Wren. Trinity (Old Swedes) Church was designed by him, and reflects
well on the time he spent there. He also writes, however, that the time
would have been much drearier except for the hours he spent "kissing
girls."
Works: Swedesboro,
Trinity (Old Swedes) Church
Dudley,
Henry,
(b.1813d.1894)
was born in England and came to America after extensive training and
work in England. He was an extremely prolific architect who designed
a large number of churches, either in association with Frank Wills,
on his own, or during a short-lived partnership with Frederick Diaper.
Dudley and Wills were responsible for rebuilding the nave of Christ
Church in New Brunswick.
Works:
New Brunswick,
Christ Church (rebuilding of
the nave; with Frank Wills)
Durang,
Edwin Forrest
(b.1825—d.1911) ] specialized in religious buildings, especially
for Catholics. Based in Philadelphia where he did several major buildings
including the Church of the Gesu, an elaborate baroque design.
Works:
Lambertville, Centenary ME
and St. John the Evangelist
Edwards,
Charles, won
two important commissions in Newark between 1880 and 1898;
his name
otherwise does not show up in the published record.
Works:
Newark, St Aloysius
Newark, St Columba
Eyre,
Wilson, of
Philadelphia, was enrolled briefly in the architectural program at MIT,
but learned his trade by working in an architectural office, which he
took over in 1882 on the death of its owner. He is best known for his
work on country houses.
Works:
Camden,
Newton Friends Meetinghouse
(addition in 1885)
Gendell,
David, (b.1839d.1925)
was a favorite architect of Baptist congregations in the Philadelphia
area, which apparently extended into New Jersey. He was an apprentice
of Thomas U. Walter, an important Philadelphia architect, who for a
while was the Architect of the United States, and a leading figure in
the Greek Revival style.
Works:
Lambertville,
First Baptist Newark, South
Baptist Stockton, First
Baptist
Graham,
Charles
of Trenton and Elizabeth was the architect and/or builder of several
mid-century churches in the state.
Apparently he later worked with his son as Graham & Son. He was
initially contracted to do the plans for the Presbyterian church in
Ewing, but that fell through
Works:
Stockton,
Berean Baptist Perth Amboy,
Simpson ME
Blairstown,
First Presbyterian.
Newton,
First Presbyterian Bound
Brook, Congregational Freehold,
First Methodist
Hardenbergh,
Henry Janeway, (b.1847d.1918)
a native of New Brunswick, born in 1847. He trained under Detlef Lienau,
and designed the chapel at Rutgers, as well as the Dakota Apartments
in New York City. A leading architect for luxurious Edwardian hotels,
his work includes the Plaza Hotel in New York, the Willard Hotel in
Washington, DC, and the Copley Plaza in Boston.
Works:
New Brunswick, Kirkpatrick Chapel,
Rutgers University
Hazelhurst
& Huckel This
Philadelphia firm,
which got its start under Frank Furness—a noted Philadelphia
architect, existed
between 1881 and 1900 and designed a number of churches in the Philadelphia
area and in south Jersey, including
ones in Woodbury, Bridgeton and Trenton. The firm designed the Mother
Bethel African Methodist Episcopal church in Philadelphia in a Romanesque
Revival style, which they also employed in the First Methodist church
in Trenton. The Central Methodist building in Bridgeton is a sort of
ersatz
Gothic style, but
much too
squat and
sprawling
for
true
Gothic.
Works:
Flemington Methodist Bridgeton,
Central Methodist Trenton, First
Methodist
Himpler,
Francis J. Resident
of Hoboken & Mt Arlington,
designed German Gothic churches, especially in the midwest. Created
plans for Hoboken's City Hall, St. Mary's Hospital, and the Sacred
Heart Academy.
Works:
Hoboken, Our Lady of
Grace
Hopping,
Elijah ,
a member of the Whippany church, who in 1833-1834 was involved
in designing and building three churches in Morris County, all
in a fairly sophisticated meetinghouse style that included several
Gothic elements.
Works:
Whippany, First Presbyterian of Hanover East
Hanover, First Presbyterian of Hanover Harding
Township, First Presbyterian of New Vernon
Hotchkiss,
Nelson, was
active in Connecticut by 1839 when he is credited with the Oxford
Congregational church, an early Greek Revival design. He
was responsible for alterations to the First Congregational
church in Guildford, also in the Greek Revival mode, in 1861.
He apparently had a substanial reputation, for when the
church fathers of
the
First Presbyterian church in Trenton determined to build, they interviewed
and presumably examined the work of several architects and
chose Hotchkiss,
from Birmingham, Connecticut—unusual in that most commissions
went to Philadelphia or New York architects at this date.
Works:
Trenton, First Presbyterian
Hudson,
Aaron, was
a member of the First Presbyterian church in Mendham, and built
their
present church much in the manner of the previous building. He is referred
to in one source as Major Aaron Hudson. His house in
Mendham still exists.
Works:
Mendham, Hilltop Presbyterian Liberty
Corner, Liberty Corner
Presbyterian Peapack, Peapack
Reformed Mendham, St Joseph's Catholic
Attributions: There
is a good indication that Hudson designed the Pottersville
Reformed church, which is very similar to the Presbyterian
church in Westfield and
another dozen churches in central Jersey. If I can tie him firmly
to another
one or two in that same manner, we'll have a major figure who did much
to shape the churchscape of central Jersey in the post-Civil
War era.
See:
Janet Foster. Legacy Through the Lens: A Study of Mendham
Architecture. Mendham
Free Public Library, 1986.
Keely, Patrick Charles,
(b.1816d.1896)
was a trained
architect who emigrated in 1841 from Ireland and settled in Brooklyn.
His father was a carpenter and builder who worked with A. W. Pugin, the
leading English Catholic proponent of the Gothic style. Keely's practice
virtually monopolized Catholic church building in the eastern states
and Canada for a quarter century; he designed more than 600 churches
before
his death in 1896, including 30 in Boston alone. William Pierson's American
Buildings and Their Architects. Vol 2 (Doubleday, 1978), which spells
the name Keely (correctly, but many other sources spell it Keeley),
discusses his work briefly and intelligently. Pierson
says Keely favored English Gothic traditions rather than European
(French
and German) and that preference reflects itself in his work. His Irish
background undoubtedly helped his practice, as the Catholic hierarchy
which had been largely German and French in the early decades of the
19th century came to be dominated by those of Irish extraction sometime
before
the Civil War. Recent
information (7/04) from St. Peter's in New Brunswick suggests that O'Rourke
rather than Keely may have been responsible for that design, although
Keely is widely credited with it.
Works:
Convent Station, Mother House of Sisters of Charity of St. Elizabeth
Jersey City, St.
Bridget's
Jersey City, St. Patrick's
Jersey City, St. Peter's Church and College Jersey City,
St. Michael's Jersey City, Central
Missionary Baptist New Brunswick, St.
Peter the Apostle New Brunswick, Church
of the Sacred Heart Paterson, St.
John the Baptist
Union City, Church of
St. Michael's Mt Holly, Church
of the Sacred Heart Newark, St
Patrick's Pro-Cathedral (with Father Moran) Washington,
St. Joseph's Rumson,
Holy Cross
Attributions:
Our Lady of Grace in Hoboken, sometimes attributed to Keely, was designed
by Francis Himpler, not Keely. St Mary's Abbey church in Newark
is also attributed to
Keely, but there is a tradition that its plans were carried over from
a Benedictine monastery in Bavaria. Keely might have been
working from
those plans, but it he preferred to work in an English Gothic idiom
rather than a French or German one, and the building is clearly
based
on German Romanesque traditions.
Kirk,
William,
was
an architect/builder located in Newark. He is listed as the builder on
two churches erected in 1839 but is the architect of record
for three Reformed Dutch churches in Essex county between 1848 and
1858.
Works:
Newark, Second Reformed
Belleville, Reformed Dutch
Church at South River Newark, North
Reformed Dutch Basking Ridge, First
Presbyterian Jersey City, Old
Bergen Church
Leard,
Henry W., was
an architect/builder who worked on the restoration of Nassau Hall on
the Princeton campus. He is credited with the design of the Second Presbyterian
church in Princeton and with the Reformed church in Rocky Hill, but
his name has not surfaced in connection with any churches beyond the
Princeton area.
Works:
Rocky Hill, Reformed
Princeton, Nassau Presbyterian
Lienau,
Detlef,
(b.1818d.1887)
was
born in Germany and studied architecture in Munich and Paris before
coming to the U.S. in 1848. Grace Church, built in 1850 in Jersey City
was very likely his first project in this country, and his only church
in the state. He quickly became a very fashionable architect in New
York City, where he designed factories, row houses and many grand residences,
and he was credited with introducing the mansard roof to the city.
See Ellen W. Kramer, The Domestic
Architecture of Detlef Lienau, a Conservative Victorian, PhD dissertation,
New York University
Works:
Jersey City, Grace VanVorst
Reformed Church
McKim,
Charles, (b.1847d.1907)
of
the very important McKim, Mead and White architectural firm designed
St Peter's Episcopal church in Morristown, where he was a member.
Works:
Morristown,
St Peter's Church
Notman,
John,
(b.1810d.1865) got
his early experience an as apprentice to a builder, following his formal
training in Scotland, where he was born in 1810. He came to Philadelphia
in 1831, and by 1839 had secured an important commission to design a
villa for New Jersey's Episcopal Bishop George Washington Doane, in
Burlington. A few years later Doane asked him to design a Gothic-style
church in Glassboro, then a chapel at St Mary's Hall in Burlington,
for which he was instructed to follow a specific English model, reputedly
the first such attempt for a church in this country. Notman planned
the cemetery at Laurel Hill, Philadelphia, but is sometimes (wrongly)
credited with designing St James the Less church, located nearby. His
most famous building is St Mark's Church in Philadelphia. He was one
of the founders of the American Institute of Architects, and a leading
advocate of the English Gothic style. He is likely the architect for
the Sunday School/Chapel at Trinity Church in Princeton.
See Constance M. Greiff. John Notman
Architect, 1810-1865.Philadelphia: Athenaeum of Philadelphia,
1979.
Works:
Glassboro, St Thomas' Church
Burlington, Chapel
of the Holy Innocents, St Mary's Hall Trenton, St
Paul's Church
O'Rourke,
Jeremiah, (b.1833—d.1915)
was born in Ireland and trained at Dublin's School of Design before
immigrating
to the U.S., where he settled in Newark about 1850. He worked for 9
years as a draftsman, drawing plans for a local builder, until
opening his own office in 1859. He designed his first
church in the early 1860s, and in 1870 made
an extensive
tour of French and Englsh churches. O'Rourke was appointed by
President Cleveland as the Supervising Architect of the U.S.
Treasury, responsible for the design of all
federal buildings during his tenure, including post offices in
Buffalo, NY, Erie, PA, Roanoke, VA, and Kansas City, MO. O'Rourke
designed the very large Church of St. Paul the Apostle in New
York City,
as well as the home church of the Paulist Fathers, also in that
city. He was the initial architect involved in the design of Newark's
Cathedral
of the
Sacred Heart,
although
several others would serve in that capacity before the building was
completed in 1954. He
was a member of the board of the AIA.
Works:
Wharton, St Mary's Church
Newark, Cathedral of the Sacred
Heart Newark, St
Joseph's Church Newark, St
Michael's Newark,
St. Patrick's Pro-Cathedral (renovation) Camden, Church
of the Immaculate Conception Orange, St
John the Evangelist Rahway,
St. Mary's Plainfield,
St Mary's Jersey
City, St. Lucy's Jersey
City, St Patrick's Bloomfield,
Sacred Heart Trenton,
Sacred Heart Boonton,
Mt. Carmel Paterson,
St. Joseph's
Attributions: Recent
information (7/04) from St.
Peter's in New Brunswick suggests that O'Rourke
rather than Keely may have been responsible for that design, although
Keely is widely credited with it. I'm
in Keely's camp on this, as O'Rourke would have been too young for
such a major assignment. I believe there are at least another dozen churches
in the state that O'Rourke
designed, including St. Joseph's in Newton, St. Bernard's in Raritan,
and Sacred Heart in New Brunswick.
Post,
George B., (b.1837d.1913)
famed for
his work on the early skyscrapers in New York City, including the
Equitable Building. Post designed a
single church in New Jersey, the High Bridge Reformed church in Hunterdon
County, although in 1910, his firm, George Post & Sons, gave a
set of plans to the Presbyterian church in Bernardsville, and he
also worked on the renovation of the Hilltop Presbyterian church in
Mendham. He graduated with a degree in civil engineering and worked
in Richard Morris Hunt's
office and conducted his own practice after 1868.
Works:
High Bridge,
Reformed Church
Priest,
John Weller,
was
one of the initial architects approved by the New York Ecclesiology
Society, and the only one of the six who was born in this country.
Works:
Millburn, St Stephen's
Pursell,
Isaac,
is
a name that has seemed to come up more than once in the design of
late
century Gothic buildings, but the sole church in New Jersey I can trace
to him is in Freehold—an exceptional late Victorial Baptist church.
He was based in Philadelphia, apprenticed to
Samuel Sloan, and designed the very substantial St. Paul's Reformed
Episcopal church there.
Works:
Freehold, First Baptist
Roberts,
Thomas A.
(b.1833d.1898) Headed
a Newark architectural practice that designed several fine Gothic
churches. William Halsey Wood, destined to become a leading national
architect, started his career with Roberts, and became a
partner in the firm of Roberts, Taylor & Wood
in 1875.
Works: Orange,
Central Presbyterian
Newark, Clinton Avenue
Reformed Newark, St
Barnabas' Church Hackensack, Christ Episcopal
Sloan,
Samuel,
(b.1815d.1884)
was a very significant figure in American architecture. Like many,
he
apprenticed as a carpenter and worked under the direction of an accomplished
architect. He was originally listed as a carpenter-builder, but by
1850
or so, he was thought of as an architect. He based his practice in
Philadelphia, but designed buildings all over the country, and his
influence was spread
by his influential planbooks. John MacArthur based his design of Salem's
First Presbyterian Church on the plans of Sloan, in my opinion. Sloan
also
designed the Masonic Building in Lambertville.
Works:
Salem,
First Presbyterian
Smith,
Robert, designed
Carpenter's Hall in Philadelphia and Nassau Hall at Princeton. One of
the earliest important figures in American architecture. Smith also
designed the first Presbyterian church in Princeton, which was later
replaced by the present Greek Revival building, and he designed the
first addition to [old] St Mary's church in Burlington in 1769, as well
as a number of the early churches in Philadelphia, including St. Peter's
Church and Old St. George's Church.
Works:
Shrewsbury, Christ Church
Freehold, St Peter's Church
Steadman,
Charles
Attributions:
Princeton, First Presbyterian
Cranbury, First Presbyterian
See
Constance M. Greiff. Princeton Architecture. Princeton: Princeton
University Press, 19
Strickland,
William,
(b.1787d.1854)
was
an exceptionally talented and versatile architect, born in Middletown
but based in Philadelphia. He worked as an apprentice/assistant
to Benjamin Latrobe (designer of the U.S. Capitol building), and, on
his own, designed many Greek
Revival buildings, including the Second Bank of the United States in
Philadelphia, the first building in the country to be modeled on the
Parthenon. Highly versatile, he designed an Egyptian style church in
Nashville and a fantasy Gothic fortress-like church in Philadelphia
in the 1820s. One architectural historian noted that Strickland was
a "much too committed neoclassicist to have a natural feeling
for the Gothic," but his two churches in south Jersey are well-conceived.
Works:
Bridgeton, Second Presbyterian
Salem, St John's Church
Teale,
Oscar. S.,
born
in Brooklyn, studied at Cooper’s Union and apprenticed to an
architect. He established his practice in 1878 and had offices in New
York and New Jersey throughout his career. To attract church business,
he advertised in religious publications, and apparently was successful
in that effort, as the Columbia University library has drawings of
46 of his churches, in addition to dozens of homes, schools, mausoleums,
carriage houses, stables, and a hotel. Teale was an accomplished magician,
which undoubtedly led to his serving as a pallbearer at Harry Houdini’s
funeral, as well as the designer of Houdini’s memorial. He wrote
a book, Twentieth Century Magician, in 1905, and became an
instructor at Columbia’s Teachers College. Teale died in 1927.
Works:
Plainfield, Seventh
Day Baptist Bound Brook, Bound
Brook Presbyterian Church North Plainfield, First
German Reformed Elizabeth, Second
Presbyterian (addition) Plainfield, Unitarian Hackettstown,
Trinity Methodist
Trumbauer,
Horace
Works:
Somerville,
St John's Church
Upjohn,
Richard, (b.1802d.1878) was one
of the most important architects to work in the state, and certainly
the
leading figure in the Gothic Revival movement in this country. He is
best known for Trinity Church in New York City and for St Mary's Church
in Burlington, which is justly famous as perhaps the best early attempt
to base a church design on a specific early English Gothic building.
Upjohn was born in England in 1802 and grew up within a few miles of
Salisbury Cathedral. He was trained as a cabinetmaker, carpenter,
surveyor
and draftsman, and like several other European architects, he came
to this country (in 1829) with highly developed mechanical or engineering
skills. He was responsible for adapting the board-and-batten style
of the fashionable cottage to church architecture, and made that style
widely popular throughout the country for smaller wooden churches.
Upjohn was clearly influenced by A. W.
Pugin's ideas and designs early in his career, and by St James the
Less
in Philadelphia, from which he took several features that show up in
later churches. He was a leading member of the New York Ecclesiology
Society and the first president of the American Institute of Architects.
The extent of Upjohn's influence is amazing, a point which only comes
across
fully when one looks at a sampling of significant churches in other
states. There seem to be relatively few regions that do not have a
handful of churches that were based on Upjohn's plans.
See Phoebe Stanton, The Gothic Revival
and American Church Architecture, Johns Hopkins, 1968; Everard
Upjohn,
Richard Upjohn, Architect and Churchman, Columbia, 1939; William
Pierson, American Buildings and Their Architects, Doubleday,
1978.
Works:
Burlington, St
Mary's Church Newark, Grace
Church
Hoboken, Trinity Church
Spotswood, St Peter's Church
Matawan, Trinity Church
Woodbridge, Christ
Church Navesink, All
Saints Church (in collaboration with his son) Rocky Hill, Trinity
Church
West Orange, St Mark's Church
Attributions:
Boonton,
St John's Hackettstown,
St James North Plainfield,
Holy Cross
Upjohn,
Richard M.,
(b.1828d.1903)
was
the son of Richard Upjohn, and a well-known architect in his own right.
He joined his father's firm in 1853, and by 1860s was primarily responsible
for the work of the firm. Although much of his work shows his father's
influence, as tastes shifted from the
Gothic to the more eclectic
style
he favored, so did his designs.
His most famous work is the state capital of Connecticut in Hartford.
Richard's son Hobart designed Montclair's St. Luke's Episcopal church.
Works:
Princeton,
Trinity Church Dover,
St John's Church Navesink, All
Saints Church (in collaboration with his father) Boonton,
St John's Church
Watson,
Frank, (b.1859—d.1940)
an important Philadelphia-based architect, specialized in church building,
generally for Catholic parishes. Apprenticed with Durang.
Works: Bridgeton,
Berean Baptist Tabernacle
Camden, Centenary ME Atlantic
City, Church of the Ascension
Watson,
Thomas U. was
a Philadelphia architect.
Works:
Bridgeton, First Baptist Mays
Landing, Presbyterian
Welch,
John,
designed
at least three churches in New Jersey. He collaborated with Richard
Upjohn on the design of the Newark National Bank in 1858, and
designed the
Elizabethan
Revival-styled Newark Orphan Asylum in Jersey City, recently restored
and renamed Eberhardt Hall at the NJIT.
Works:
Newark,
South Park Presbyterian
Newark, High Street
Presbyterian Jersey City, First
Reformed
Wills,
Frank, (b.1819d.1857) was
born in England, but emigrated to Canada by 1845, where
he designed
an early Gothic Cathedral; he moved to New York City by 1848 and became
the associated with the New York Ecclesiology Society at its
inception. He soon became the official architect for that group,
and, briefly, entered into partnership with another English émigré architect,
Henry Dudley. He died at an early age in 1857. He was probably
more
influential through his writing than his buildings.
Works:
Newark,
House of Prayer
Newark, Christ Church New
Brunswick, Christ Church (rebuilding
of the nave; with Henry Dudley)
Wood,
William Halsey, (b.1855d.1897)
a
Newark architect, designed three very different kinds of churches
in
Newark, a most unusual almost contemporary design in Warren county,
and a number of invariably upscale ones from California and Wyoming
to Alabama, Tennesee and Missouri (as well as New York, Pennsylvania,
and New Jersey, of course). His design was one of three finalists
for the international competition to build the Cathedral of St.
John the Divine in New York City. His was a brilliant career, seemingly
destined for great prominence when he died at age 41. Wood initially
worked for Thomas Roberts, who designed three exceptional churches
in Newark,
and became a partner in the firm of Roberts, Taylor and Wood at age
20; he soon left to form his own practice. His most significant work
was in religious architecture, but he also designed the famous Yaddo
Castle in Saratoga Springs, New York.
Works:
Newark, Peddie Memorial
First Bapist Newark, First
Congregational Newark, St
Paul's Presbyterian Newark, Wickcliffe Presbyterian
Washington, St.
Peter's Episcopal Bloomfield, Christ
Church Paterson, St.
Paul's Church Passaic, St.
John's Episcopal Jersey
City, St. Mark's Episcopal
Other
architects and builders:
Bailey, Elias [Penns
Neck, First Baptist]
Bird,
James Captain
[Lambertville builder of Stockton Pres; house in Lambertville]
Bosenbury,
Eli [builder/arch
for Mt Salem ME in Hunterdon; state senator]
Bolton,
Asabel [Asbury Methodist in Long Branch]
Brazer,
Clarence [Trinity
church in Asbury Park and St. James Episcopal Church in Long Branch]
Brown,
Richard [Blawenburg
Reformed]
Bulgin,
Rev. William
[Hope, St Luke's] Born in London; apprenticed there and practiced as
an architect in Somersetshire before emingrating to the U.S. His sons
were builders of other churches in this country.
Carrere
& Hastings
[architects
for addition to High Street Pres in Newark and for the Presbyterian
church
in Rumson]
Dagit,
Henry Dandurand (b.1865—d.1929.
[Philadelphia architect for Trenton archiodiocese 1898-1908 and
leading
competitor for Durang in Catholic circles in late 19th century; he
designed about 175 buildings for the Diocese.] His best-known
church is the Byzantine-styled
Saint Francis de Sales church in Philadelphia.
Dilts,
Asa
(sometimes spelled Diltz) [Builder located in Somerset; built the First
Baptist Church there, Gothic addition to Lamington Presbyterian, and
Readington Reformed]
Ellis,
William [Salem
Friends]
Goltra,
James P.
[specialized in church building; resident of Bernards Township/Basking
Ridge; the only building we can attribute to him for sure is St. John's
Episcopal Church in Somerville, now destroyed. Profiled in Snell. There
is an Ebenezer Goltra who is credited with the Greek revival church
in Colts Neck, identical to other reformed churches in Somerset County.]
Gravitt,
Charles [Clarksburg,
ME]
Gsanther,
Otto [arch
for St Peters Roman Catholic in Newark]
Hall,
John G.
[Newark, South Baptist]
Hand,
Daniel [New
Asbury Methodist; Ocean View, Calvary Baptist]
Hatch,
S. D. [Morristown
Methodist]
Hatfield,
Augustus [New
Brunswick ME]
Hewitt,
G.W., [Haddonfield, Grace Church]
Hoar
& Gay
[arch for First Baptist, Morristown]
Ireland,
Joseph [Montclair,
First Baptist]
James,
Josiah [Newark,
Trinity Church]
Jones,
Charles
[Cranford, First Presbyterian]
Lefevre,
Minard [Born
in Morristown (this may be a cousin/nephew); specialized in Greek
Revival; author of an influential builder's guide, The Beauties
of Modern Architecture,
published in 1835.]
MacArthur,
John J.
(b.1823—d.1890) Scottish-born Philadelphia architect. designed its
City Hall as well as a number of churches there. student of Thomas
U. Walter.
[Salem, First Presbyterian] McArthur apprenticed
with his carpenter uncle of the same name before establishing a career
that spanned the 1840s until his death. In the 1850s he designed three
Philadelphia hotels and a number of churches, including the Tenth,
First, and Broad Street Presbyterian.
Mills,
Robert [arch
for 1810 addition to Burlington, Old St Mary's]
Moran,
Father Patrick
[arch
for Newark, St John's Newark, St Patricks Pro-Cathedral]
Morrill, M.J. [First Presbyterian in Freehold]
O'Connor,
C.J. [Morristown,
Church of the Assumption]
Potter,
William Appleman (b.1842d.1909)
[Newark,
Belleville Ave Congregational] [Somerville,
First Reformed]
Potter & Robertson [Long
Branch, Church of the Presidents]
Potter & Vaughn [Hoboken,
Church of the Holy Innocents]
Sayre,
Nathan [Elizabeth,
Second Presbyterian]
Schickel,
William (b.1850d.1907)
[Montclair, Church of the Immaculate Conception; Passaic, St.
Nicholas Roman Catholic]
Sidman, John [St. John's Chapel in Little Silver]
Sigler,
Moses [Fairfield,
Dutch Reformed]
Smith,
Samuel [Arney's
Mount, Friends Meetinghouse]
Stahlin,
G. [Newark,
Evangelical & Reformed German Church]
Stent,
Thomas [Newark,
Park Presbyterian Church]
Thornton,
John [St. Michael's Roman Catholic Church in Long
Branch]
VanKirk,
Augustine M.
[Trenton, St Michael's Salem, First Presbyterian (builder)]
Vaughn,
Harry [Hoboken,
Chapel of the Holy Innocents]
Voorhees,
Jacob [Hunterdon/Somerset
builder; worked on Presbyterian Church of Bound Brook]
Ward,
Samuel [Bloomfield,
Presbyterian Church]
Weary,
Frank and John Kramer [Central Baptist in Atlantic
Highlands. They were from Akron and designed Akron Plan churches.
They also
established a practice in New York.]
Wells,
Joseph C.
[Madison, Grace Church] Designed the famous Roseland Cottage in Woodtsock,
CT in 1846, influenced by both Downing and Davis.
Woodnut,
Charles [Bridgeton,
Christ Evangelical Lutheran Church]
Wilcox,
Amos [New
Providence, Presbyterian Church]