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No. 57 March 2006
The authoritative source
on
early churches in New Jersey
ISSN
1543-3250
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Feature
of the month
The start of our sixth year
This
issue marks the beginning of our sixth year of publication, which is
well into middle-age by 'net standards. We get about 30,000 visitors
per day,
a figure so far beyond any expectations we had five years ago that we
still don't quite believe it. We're not yet to the goal of inventorying
every
18th and 19th century church in the state, but we have photographed
almost 1200 of the estimated 1400 that remain, so that goal is in sight.
Scores of readers have suggested churches we've missed,
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our efforts, for which we are most grateful.
And now we'd like to announce a new website, one focused on
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We
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And now back to our regular programming.
The
Presbyterian churches of J. Cleveland Cady
Several
denominations had favorite architects: Richard Keeley and Jeremiah
O'Rourke by the Catholics, David Gendell of Philadelphia was the choice
of many
Baptist congregations, Richard Upjohn and William Halsey Wood by Episcopals
and an unidentified designer of the dozen or more brick Greek Revival
buildings erected in the 1850s by Methodist congregations. For upscale
Presbyterians, J. Cleveland Cady was an often-engaged architect
in the 1880s and 1890s. We can credit him with six Presbyterian churches
in the state, and they are the subject of this month's feature.
Cady (1837-1919)
was a student of Henry Hobson Richardson, the leading architect of
the post Civil War era in the country. Richardson
gave his name to the style called Richardson Romanesque, an
upscale
version of the Romanesque Revival that hit the country in the 1860s.
It is characterized by oversized arches, massed windows and arcades,
asymmetrical gables and towers, and rusticated stone, often with elaborate
carvings around the major entrance. Cady headquartered in New York and
was responsible for the old Metropolitan Opera house (now destroyed)
and a portion of the American Museum of Natural History there. He designed
15 buildings for Yale, and even did a railroad station in Demarest (Bergen
County).
Cady
designed the Alpine Community church
in Closter (Bergen County), a building that borrows much from Upjohn's
early Episcopal churches,
before he won the contract to design the South Street church in Morristown
in 1878. When a portion of the First Presbyterian congregation separated
in 1841 to organize the South Street church, they erected a vaguely Greek
Revival building on their new site a few blocks from the old church.
By the 1870s, Episcopal, Catholic, Baptist and Methodist congregations
had all built imposing and obviously expensive churches near the center
of town, and it is not difficult to imagine why the Presbyterian
congregation, which had outgrown its original building, would engage
an established architect
who would maintain a certain Presbyterian presence in an area originally
settled by Presbyterians. They settled on Cady and he prepared
a large Romanesque Revival building. It now serves as the parish
house after a merger with the First; the combined entity is known as
the Presbyterian
Church of Morristown. Fifteen years after this building was erected,
First's congregation decided to use Cady as their architect to replace
their hundred year old church on the green. And that's the next church
on our list.
The
First Presbyterian Church of West Hanover (its original name) was founded
by portions
of the congregation in Whippany, and the church was
granted a charter by King George II in 1756. This Romanesque Revival
building, its fourth on the green, was erected in 1893-4. Cady had
done a similar church for a Presbyterian congregation in Ithaca, New
York.
Incidentally, the history of this congregation is unusually well documented
by Diane and John Anderson in Celebrate: A History of the Presbyterian
Church
in Morristown, NJ, 1733-1983, and the building of it is detailed
by Janet Foster’s J.C.Cady and his Masterpiece - The Construction
of the Presbyterian Church in Morristown. There is a wonderful
burial ground to the rear of the church with many fascinating old carved
headstones
dating to the eighteenth century.
A few miles away in Madison we can find an even older congregation;
the Presbyterian church there was founded in 1747, and it's one of the
half-dozen oldest congregations in Morris county. I know nothing about
its earlier churches, but this Romanesque building with a cruciform plan,
known as the Webb Memorial Church, was erected in 1887. The rusticated
stone and squat squarish tower might be found on a Gothic building, but
the oversized arches and the round chapel to the right of the entrance
is clearly Romanesque. The plan takes the form of a Greek cross, a most
unusual arrangement in this state. The building is still in use although
the congregation erected a much larger church next door sometime in the
1950s.
In the 1890s Cady
designed the Church of the Redeemer in Paterson. The stone exterior
is obviously richly done—it was probably the establishment's
church in the city at that time— but it was the interior of the
church that was most impressive. One especially interesting feature is
the carved stone heads found on two of the entrances; similar although
not as well executed to the stone heads on Cady's First Presbyterian
in Morristown. I can't recall seeing similar heads on any other church
in the state.
There is
a fine stone church in Englewood where Cady was responsible for the
enlargement
of the transepts in 1884—the First Presbyterian. That
congregation was used to well-known New York architects, as George F.
Babb designed the original church in 1870, and in 1878 the firm of
Potter & Robertson
designed a new chapel; much of that work has been obscured by twentieth
century additions and renovations.
While looking for information on Cady himself I came across an article
crediting identical churches in Florida and in upstate New York to
him. What caught my eye was a photo of one that bore a remarkable similarity
to the Presbyterian chapel in Beattystown, a small village just west
of Hackettstown in Warren County. That was a double surprise—not
only to find three identical churches in different parts of the country,
but to see work distinctly different from his other major designs.
These are wooden frame buildings and owe more to the “stick” style
than to Romanesque. The chapel was built in 1882 and has subsequently
been sold to a Baptist congregation.
Cady probably did much more work in the state than I am aware of. He
was a major architect and it is an injustice that he is not
better known or his work more recognized. Perhaps this article will
stimulate additional interest in him and his work.
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